SYNC
Timecode
With several cameras and recorders, syncing by hand eats up hours of editing. Distributing timecode from the sound department to every camera lets post-production sync automatically, take by take.
What your production gains
Automatic sync
Editorial lines up audio and video by timecode instead of searching for the slate clap.
Multi-camera without drift
Every camera shares the same time reference throughout the day.
Agreed with post-production
Frame rate and timecode format defined with editorial before shooting.
How we work
- 01
Technical definition
Frame rate, format and timecode inputs for each camera.
- 02
Jam sync
Syncing all devices at the start of the day and checking them periodically.
- 03
Verification
Drift checks and reports for post-production.
On set

Related equipment
Frequently asked questions
Do we still need a slate?
It's recommended as a visual backup, but the main sync is done by timecode.
Related services
Need it for your next shoot?
Tell us the dates, location and type of production. We'll reply with availability and a quote.
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